Monday, March 15, 2010

Brown Stone Diary (Fiction) 2000 words



Brown Stone Diary



September 23, 1983

I am standing on dark brown linoleum, my foot narrowly escaping a cockroach as it scurries under the day bed. The room is dark, tall, with ten-foot ceilings. The beige paint is chipping out in large, continent shaped patches, little South Americas, Africa hanging by a thread. Shelves line the walls above the sofa. Good, a book case. The day bed comes with the room. A bent screen is jammed into the open window and I can hear traffic noise, but at least it’s on the ground floor. I look over at my potential roommate, Jim. He is upbeat, about thirty five, good looking; almost game show host-like in his mannerisms and enthusiasm.

What the hell, “I’ll take it,” I say.

Three hundred and fifty a month, how can you go wrong? A bedroom with a private entrance connected to a small hall and bath. And the rooms are big, if not crumbling out of themselves. I convince myself that with a little bit of paint, it’ll be like new.

“Good!” he says, “Let’s get a drink.”

We wander across Second Avenue and up the hill to the Bull’s Eye tavern. They know Jim there and he seems to be well liked this game show host roommate of mine. And why not, he’s athletic, got a great smile, dimpled chin, and full shock of hair. We sit in front of a couple of drafts and he casually asks, “By the way, you know I’m gay, right?”

A little twinge hits my stomach. Is he looking at my crotch? Why isn’t he effeminate? I never would have guessed he’s gay. Does he have orgies in his room? I look at the bartender. Now they think I’m gay, right? “Well, I’m not gay,” I say.
Oh, he assures me, I don’t flaunt it. I don’t care for fems, he says. Besides, this is strictly a business deal. Rent for a room. It wasn’t in the ad, but I don’t really care, “Sure, sure. No problem.”

After I pile in my few meager possessions, bags of cloths and my desk from home, I encamp on the day bed. First nights are always the hardest. Cramped and lonely in my little burrow, I learn not to be afraid of things that crawl in the dark and scatter when the lights come on. Lying in the blackened room, they crawl casually across my arm, and I fling the insects onto the wall or floor. I reach up with the side of my fist and pound them into submission, letting them fall where they may.

At four AM, the heavy cruisers arrive. I hear then scuttling and munching on God knows what. The armored division attacks my front. I brush my arm and a heavy thud hits the floor. That was no small insect. I turn the lights on. The floor and walls are alive with brown exoskeletons scattering in all directions.


September 24, 1983

My second evening is less strained. I take comfort in my newly purchased roach motels and poison traps. Already, there are fewer insects to be seen. Suddenly, I hear something at the window. A dark bare arm slowly reaches in through the curtains, fingers outstretched, reaching, ready to grasp. I yell, “Hey!” The arm jerks to attention and recoils as if wound back onto a human fishing reel. I close the window and lock the doors, unsettled, I’m feeling lost in the whirr of the city.

September 30, 1983

I wouldn’t say Jim is a health nut, but he sure does like to run. Right up to Central Park and back every day. Lifts weights in the kitchen, too. Breathes real loud and strong to get that energy flowing. One, two, three twist and turn, up and down, deep knee bends, come on, one and two, his thick boozy breath billowing into all corners of the room, like a steam bath in there when he gets going. It’s tough to swallow my scrambled eggs with all that going on. Amazing how he can stay up until three a.m. sucking up all that booze and pop right back up the next morning… two, three, and here we go and one. Shouldn’t complain, though. It’s tough to find a first floor apartment this cheap on the Upper East Side.

October 2, 1983

I’m waiting tables while I take classes in acting: Shakespeare, scene study, auditioning technique. I have a long way to go. Feel lost in a sea of false hope and groundless optimism leading nowhere. Auditions go badly. I’ve met a few girls in acting class. Made a few friends. I am building a life, my own life, while learning to be a good waiter.

Jan 7, 1984

Jim throws me a surprise party for my thirtieth birthday. Friends from work, some of his friends, they all chip in, buy me a mattress for the wooden frame that I had made from cut pine and bolts. Fits real nice. Damn nice of these guys, friends of Jim’s, mostly, acquaintances of mine. Damn nice.

We finished the evening with another bottle of wine. A girl from the tavern offers herself to me as a present. Can’t complain about that. Damned nice of her. Damned nice. Six months is a long time. Later, we talk on the stoop in front of her apartment until 3 a.m. I’ll have to avoid her for a while. Don’t want to give the wrong impression.



Jan 25, 1984

I come home unexpectedly and my private entrance is locked. I pound on the door, hear shuffling noises in the room and creaking from my desk chair. Jim calls for me to wait a minute. Finally, after several minutes, he unlocks the door. I hear them as they scurry into his side of the apartment, Jim and his secret guest. Later I learn he was glad I had arrived when I did, not knowing what the strange man might have done, Jim being naked and tied up in my favorite chair.

February 25, 1984

Jim has decided to kill himself. Seems he’s unhappy with his life. The booze and the cocaine, the anonymous sex, have all taken their toll. AIDS has crept into the picture. A nurse friend told us about hygiene and the treatment for the afflicted. She scared me half to death and I went out and bought some liquid soap for the bath. No more sharing bar soap for this kid. Jim was greatly offended by the soap, but I told him we always used the liquid at home, I’m just homesick for it. I know Jim doesn’t have AIDS. I think.

February 28, 1984

Three AM. Jim is weepy. He staggers into my room, wakes me up, and tells me he wants to kill himself. I ask him how and he tells me to mind my own business, but if I must know, he has a hoard of pills. I tell Shirley, our mutual friend from the Bull’s Eye and she comes over to search his room while he’s gone out. She finds pills, but there isn’t enough to kill him, just maybe make him sleep for a day or two.


March 3, 1984

I feel terrible about Jim. I confide in a friend at work. He tells me there is nothing for it, he had a roommate that killed himself and he was just a selfish prick, tells me people who off themselves are all selfish pricks. I worry anyway, thinking how unfair it all is.

March 5, 1984

Pills gone, Jim has decided to kill himself the slowest way possible. He stays up all night snorting cocaine, and drinking with his new buddies, the drug dealers. They play cards until morning light; argue about nonsense, thinking they are being clever when they are repetitive and shallow. They offer Jim money for my room; have them move in, me out. Jim turns them down, but likes to tell me about the offers anyway. I find a .22 caliber bullet on the kitchen floor.

Jim comes from a big, Irish Catholic family in the mid-west somewhere. His sister talks to me on the phone, thinks I’m his lover. She wants to know if he’s really all right. I lie; tell her he’s just fine. She seems relieved. What can she do anyway, I think. It’s not like she’s going to come rescue him. Yeah, he’s fine. Well, take care of him, she says. I don’t bother to tell her, he’s just my roommate and I try to avoid him as much as possible.

March 25, 1984

I am finally alone in the apartment! Some much needed alone time! My resentment toward Jim has peaked and I sing aloud, “Ding dong, the master baiter’s gone!” to the tune of “Ding dong the Witch is Dead,” while I make popcorn. I dance with delight at my free evening at home. Jim suddenly emerges from his closet. He’s been hiding behind his wardrobe and wants to spring out and surprise me. Now he wants to know what I meant by “The master baiter” crack. He pulls out his stash of gay porno mags, stained with some odd smelling oils, and asks me if this is to what I am referring. I don’t know what to say. The greasy stained magazines flop around in his hands. I look at the greasy bottle of corn oil I used to make the popcorn. Was that a pubic hair stuck to the label?

April 23, 1984

Jim’s friend Rico, the drug dealer from Brazil, and his heroin-addicted girl friend, Sheila, need a place to stay. Jim lets them put a mattress on the kitchen floor. Jim is very helpful like that. Rico gets a lot of phone calls to make to his drug-dealing friends. They come to the door and he leaves with them. Sal, from New Jersey, came by the other day and he seemed quite angry about something. Sorry I answered the door, really. But Rico and Sal went for a walk and worked it out. Afterward, Rico bought a bunch of shrimp and cooked them in water and beer. He insisted I eat with him. They tasted pretty good once I realized they weren’t poisoned.

May 3, 1984

Rico’s girlfriend, Sheila, is feeling pretty sick. They sit in the bathtub together for hours sometimes; they take the phone in there and make business calls. I hear that Rico has offered Jim lots of money for my room, but Jim says not to worry, he wouldn’t kick me out. Although, he hints, the extra money would be nice.

The landlady came down and asked me for the rent today. Seems she hasn’t seen any money for a few months. I told her I just give my money to Jim. It’s his place. He pays the rent. (I guess not.) I haven’t seen Jim for a while to talk to him about it.

May 27, 1984

Rico and Sheila finally move out. Am seeing less and less of Jim, now. He lost his job at the good restaurant and now he ‘s working for a not-so-nice place on the West side. Makes less money. I have been talking to the landlady about letting me move into an empty apartment upstairs.

June 15, 1984

I finally have my own place. Up five floors, but it’s worth it. Two bedrooms, kitchen and a bath! Jim knocked on the door the other day, but I pretended I wasn’t home. He scares me now. Not like the person I met at all. That far away look in his eyes makes me think he is the loneliest person on Earth. But I’ve made up my mind I can’t help him. I need to live my own life.

July 2, 1984

They came and took Jim home today. His sister and brother bought him a ticket and he’s gone. I don’t even know who’s in the apartment downstairs now. Some creepy guy he had move in a while ago. Poor Jim, all he wanted to do was be an actor.

Sunday, March 7, 2010

Oscar, Life and Death...


I don't usually post about films but I was shocked when Sandra Bullock won the Oscar for Best Actress. I think she was a bit too, judging by her reaction. Anyway, she is a lovely woman and a good actor. Sometimes I think it is harder for a woman with such a bright, cheery face to be taken seriously as an actor. So, I was shocked when they call ed her name. I didn't see the film she won it for. It seemed from the ads to be a formulaic tear jerking sports movie, not my cup of tea. A film I did see recently that I liked very much was, Elegy, with Sir Ben Kingsley and Penelope Cruz. That was a very deep, moving film for me. I think when you get to be a certain age, as the protagonist was in this film, you look at life differently. You start to see the end coming. Old age creeping in, and death around the corner. You start to look at back at ten twenty years ago and realize how quickly time, and life, moves you further and further, like a never ending conveyer and you have no choice but to ride it into the dark at the end of the line. This film made me think of these things and of how the Kingsley character perceived himself in the world. We leave things behind as we go; we leave the things that meant something at the time, energies used in things that seem unimportant now, especially, wasting time drinking and partying. Thinking you will find that one or two people that would be just fascinating and perhaps change you life. You get to a certain age and the ache of things lost, opportunity not taken advantage of, doors left closed, and these things leave a dull ache in the back of your mind, thinking about how your life could have gone, how it could have been changed by this event or that, by taking advantage of a certain situation you may have perceived you had. But you are living the life you deserve at some point. Not deserve as in, "I don't deserve this cancer," but deserve as in "You reap what you sew." The trick is to never stop sewing the seeds, for they will spring forth at any age, however little time you may have left to enjoy them. And I’m not complaining about my life. It is full of joy and happiness as well as the regret and the sorrow. I saw my father looking at his life as he aged, I saw the on switch turned "off" when he found out he had cancer and little time left. He was ready to check out that day, not wanting, I think, to wait in line at the end of the trail to face the eternal question...what is there after this thing we call life? Or simply finding it too hard to say goodbye to all that you hold so dear…

Saturday, February 27, 2010

Studio



Here's a few shots of my new studio. It's 16 x 12, hard wood floor. I'm installing lighting so it can be well lit enough to see clearly. Nothing worse than painting in the dark and not seeing the colors properly. I am leaning towards a looser style, but need to finsh a few projects before I can do that. I plan on having a few studio still lifes set up and working at the same time on two easels. I also want to start a few protraits. I am changing mediums around, trying walnut oil and flemish morager, a pasty substance made form an old masters formula. Here's the link below. More later when I start oraginizing the mess. Whew, moving does suck! We are all beat. But excited to start painting in my new studio!

http://www.oldmastersmaroger.com/flemish.htm

Saturday, February 20, 2010

Finally move and new studio



After a few months on pins and needles to see if we would get our new house, we are going to move in on Feb 26th. My new studio space will be larger and, hopefully, easier for me to be productive in. It has a hard wood floor and I painted one wall a green-gray color that I had replicated from a Chardin painting background. The rest of the walls are off white. The lighting is not natural, as I have only one West facing window, but I plan to use a configuration similar to that recommended by the great studio painter, Duffy Sheridan.
http://www.duffysheridan.com/index.html

The light is a combo of different tones of light mixed with a "natural sunlight" lamp or two. Of which, I already have.

http://www.fullspectrumsolutions.com/black_floor_lamp_6_prd1.htm

Anyway, I am excited to get all of the distractions of buying a house and moving out of the way so I get back down top business.

I plan on taking a few classes at Scottsdale Artists School, even though they don't really meet my needs, they occasionally have a teacher I am interested in meeting, Like Tony Pro.
http://www.scottsdaleartschool.org/

One of these days I will master or at least get better at taking photos of my paintings, something the new studio lighting will help with, and I will not be hesitant to post them here. In the mean time, keep creating guys!

Sunday, February 14, 2010

Looking at the Face of Genius



It's not too often that my jaw drops in admiration of a painters work. Most painters are okay some are better than okay and some are really good. But few are great. You are looking at the face of Odd Nerdrum. He paints like I wish I could and has brought me to the point of trying to emulate him. But genius cannot be taught. Only by experimentation and hard work can true genius be brought out of an artist, and if they are just so so, then that is what they have to offer. But I am hopeful looking at his work. I am hopeful because I understand it. And understanding is the first step toward emulation and emulation is the next step toward individual expression and that is the subjective point of view known by some as genius. I don't necessarily like some of his images, but his technique is marvelous. My favorite expression in life is quoted from the master acting teacher Stanislavski, "We must make the impossible difficult, the difficult easy, and the easy, second nature." Amen to that!

http://www.nerdrum.com/works/index.php?id=57

Thursday, February 4, 2010

Orange Painting



"Organic Smile" 8 x 10 Oil on board

I try to paint in the Classical Realist style. I use lots of layering and glazes. I am starting to work larger and will post more paintings as time permits.

Sunday, January 17, 2010

The Baseball Thief (Short story)


This is a Fiction Short Story published a while back...

Jimmy Gaines swatted his pant leg with his cane when he saw the Plexiglas-encased 1939 baseball signed by Babe Ruth was missing.

"Kenny! Kenny, where are you? You and that damn monkey will be the death of me. Kenny!"

Jimmy stuck his head out the window overlooking the back alley.

"Kenny!"

"Yes, sir?" Kenny stood shirtless, batting a tennis ball against the alley wall.

"My Babe Ruth ball—"

"What?"

"My ball!"

"Yes, sir?"

"Oh, for goodness sake. Get up here, will you, please!"

Jimmy limped to his easy chair and set his cane against the TV table. He could hear Kenny banging his way up the three flights of stairs.

"Yes, sir?" Kenny barged into the room, pulling his shirt on over his head.

"Take a look over at my memorabilia hutch."

Kenny turned around and stared at the glass enclosed shrine, framed photos of baseball players, service metals from the Marines, a 1967 Red Sox jersey worn by Carl Yastrzemski.

"Notice anything missing?"

"No."

"My Babe Ruth ball!"

"Huh?"

"It’s missing." Jimmy raised an eyebrow. "You wouldn’t know anything about that?"

"No."

"Just because I let you come up here, tell you stories, and let you bring that monkey up here—"

"You said I could bring Milo on a leash."

"What I didn’t say is that you could help yourself to my memorabilia."

Kenny stood back, eyes wide.

"Honest, Jimmy. I wouldn’t take any of your stuff."

Jimmy leaned back in the chair. "That’s not the first thing I’ve noticed missing. I’ve had other stuff taken from my collection. I thought perhaps I’d misplaced them."

"What?"

"A few of my service ribbons."

"You’re blaming me?" Kenny took a step toward the door, his hand on his chest.

"Now, don’t get in a huff. Perhaps that monkey of yours."

"Milo couldn’t take anything without me knowing it."

"Maybe, he gets loose. Runs around the yard, sees an open window and makes his way in."

"No."

"You don’t watch him every minute do you? Monkeys are infamous for their curiosity, is all I’m saying."

"Maybe there’s a thief in the building," Kenny suggested.

"That’s exactly what I was thinking."

"It can’t be Milo. He’s a good monkey. What about Buddy Brown? He’d take anything."

"Buddy Brown from down the street? Hardly. What would he be doing way up here in my old apartment? No, Kenny, it’s somebody we know, with access to this building. Someone with a key."

"Gee."

Jimmy leaned in at the boy. "'Gee' is right."

"Who, besides me, has a key?" Kenny asked.

Jimmy’s eyes locked onto Kenny’s.

"You still think it was me?"

Jimmy eased back in his chair, putting his gouty foot on the ottoman.

"So, that’s it, huh? You think I’m a dirty rotten criminal!"

"Kenny!"

"You think I’d do a thing like that? After I help you all the time? Well, forget you!"

Kenny walked to the door. "You’re a mean old man!"

"No! Kenny, wait! Don’t leave. Please!"

Kenny stood with his hand on the door handle.

"I haven’t been myself lately. I’m sick, Kenny. You can understand that."

"That doesn’t make me a criminal. I thought we were friends!"

"We are, Kenny. We are friends. Please don’t run off."

Kenny put his hand to the back of his neck and stared at Jimmy.

"I haven’t been sleeping well, you know. Up all hours of the night. Feel like I’m not getting any sleep."

"Why don’t you take some pills?"

"I have, Kenny. I have all these pills the doctor gave me."

Jimmy reached into his robe pocket and pulled out a fist full of small prescription bottles. Kenny took a few steps into the living room.

"What are they for?"

"Oh, for everything under the sun. It’s no fun getting old, Kenny. You're lucky you have Milo to keep you company. I’m all alone up here. Except for visits from you and the monkey."

Kenny took another step into the room.

"Oh, I have my memories, the First Marines, Korea, my medals and all. But they are poor company on a cold night. Remember that story I told you about winning my Purple Heart? About getting shot."

"Yeah, tell me about Korea again!" Kenny stood at attention, did a smart salute. "Captain Jim Gaines, reporting as ordered, Sir!" Kenny took a bullet in the stomach and fell to the floor, crawled slowly over to Jimmy. "I’m hit. You gotta help me, Doc!"

Jimmy howled with laughter, picked up his cane and shot Kenny.

"Oh, you got me!" Kenny sprawled out on the floor, dead.

Jimmy sat quiet for a second. A tear glazed his eye as he watched the boy pop to his feet. He wiped his eye with his index finger and sat up straight.

"You know, I’ve been thinking, Kenny. Since we know it couldn’t be you and that stinky monkey of yours."

"Milo!"

"Yes, Milo. Why don’t we set a trap?"

"What kind of a trap? Like one the marines would do?"

"No. I’ve got something better in mind. You know how they are always monitoring babysitters and ATM machines with cameras?"

"A hidden camera! Cool!"

"We can set it up over there." Jimmy pointed to a bureau above the memorabilia hutch. "I’ll leave out something shiny for them to try and take."

"And then we play it back for the police!"

Jimmy slapped his good leg, laughing out loud. "Something like that."

"We’ve got a video camera I can use."

"Excellent. We’ll set the trap tonight. You bring the camera, I’ll set up the loot."

"Deal!"

They shook hands. Kenny winked and Jimmy nodded in agreement.

"Show me again how you die."

Kenny took a hit to the chest and fell to the floor in a lump as Jimmy howled with laughter.

That evening they positioned the video camera and set it on slow record. Jimmy left the door of the memorabilia hutch open.

Jimmy had a rough night of sleep. He tossed and turned until nearly 3:00 a.m. when he finally passed out from exhaustion.

The next morning, when he noticed his Purple Heart medal missing, he felt dubious—like that morning was an evil Christmas. His heart sunk when he rewound the tape and watched the images that appeared in the view screen. At first it was just black, then as the monkey pulled away from the screen, he could see Kenny, Milo riding his back, as he poked around in the memorabilia. Milo turned and shot a big-toothed grin at the camera.

Jimmy stopped the tape, sat down hard on his chair, and slapped his cane on the floor. The boy is all I’ve got, he thought. How can I lose him now?

When Kenny came upstairs with Milo riding his back, it was as if they’d stepped out from the video viewfinder. Jimmy sat stony faced and silent as the guilty pair entered the apartment.

"I’m glad you’re awake, Jimmy. I was worried about you," Kenny said, as Milo ran down his arm to the floor.

"Worried? Why?"

"I was afraid you’d hurt yourself."

"Oh, really?"

"Man, you can sleep!"

Jimmy sat up, smacked the cane on the floor. Milo let out a yelp and ran up Kenny’s arm.

"I saw the tape, Kenny. I saw you and that stinking monkey of yours helping yourself to my things."

"How could you?"

"It’s on the tape."

"We tried to wake you. I yelled and yelled. I shook your arm. We couldn’t wake you up!"

"What are you talking about?"

"I’ll show you." Kenny grabbed the videotape out of the camera and plugged it into an adaptor for the TV and turned it on. Milo and Kenny appeared on the screen as before, but when they stepped aside, Jimmy walked into the picture, took the Purple Heart and walked away with it. The camera followed Jimmy as he put the medals into a box, slid it under his bed, and crawled under the covers. Kenny’s voice could be heard asking Jimmy to please wake up, but Jimmy was like a stone.

"Oh," Jimmy said. "I know that box. It was a gift from my wife. To hold my keepsakes. Kenny, I don’t know what to say. It was me the whole time?"

"That’s okay, Jimmy. We all make mistakes. My dad sleepwalks sometimes, after he has a few beers."

Kenny took the bottles of medicine from his pocket and looked at one in particular.

"Thanks, Kenny. For not running away when I thought it was you."

"That’s all right, Jimmy. I know how it is."

Milo ran up Kenny’s arm and pulled something from his back pocket. The Babe Ruth ball fell to the floor. Jimmy and Kenny locked eyes.

"Oh, yeah. I was gonna hold onto this until you woke up."

Kenny handed Jimmy the ball.

"Thanks, Kenny. You’re a true friend."